tickets

8 Kreuncard
11 VVK
13 doors

nl

Vintage drum’n’bass, liquid beats en dubstep knallen uit de boxen op 19/03. Dan zet De Kreun, samen met de Warriorz crew, een niet te missen nacht op poten met RUSTIE als onbetwiste headliner. Zijn out of space beats bereiken ons al even via het nog steeds uiterst relevante WARP label. Een label dat je meer en meer in het oog moet gaan houden is Alpha Pup. Zij brengen twee artiesten mee: TAKE, die de vergelijking met Flying Lotus best kan doorstaan en FREE THE ROBOTS die heel graag een jazzke over zijn beats drapeert. Stuff we like! Vanuit de Warriorz posse komt X&trick en Mikis & Goony. For now - The line up MIKIS & GOONY (Warriorz, BE) TAKE (Alpha Pup, VS) FREE THE ROBOTS (Alpha Pup, VS) RUSTIE (Warp, UK) X&TRICK aka KNEX (Bug Klinik, Rebelscum, BE) bio's via Last.fm RustieRustie is older than he looks. Rustie makes beats and is a muthafukin bowss. Rustie wrote that himself. Now signed to the infamous Warp Records, check out his reputation building releases on Stuff Records, Hyperdub, Wireblock and various other labels. With the EP entitled Bad Science on Wireblock Records he consolidated his name at the top of the new wave of electronic hip hop producers. With his forthcoming LP for Warp Records and a 12” for us in early 2010 - you are gonna OMFG on his new shit. Free the robotsFrom Elsewhere comes Free the Robots, A balance of everything that is music. The Robot sound pays homage to the past with a drive for the future blending elements of Jazz, Hip Hop, Electronica, Bossanova, Experimental, Soul, Psychedelic, Rock, etc…In a musical world where anything that has a guitar can be called “rock,” it’s difficult to find music that is really creative. It’s even harder to find a band that is willing to take risks, and expand their art. But those things can be found in Free the Robots.” TakeBased in Los Angeles, Take (Sweatson Klank) is a composer who continues to push the boundaries of instrumental hip-hop music into new directions. After multiple successful EP’s under his belt, Take finally unleashed his debut full length player in 2007, Earthtones and Concrete. This music is nothing short of an epic journey with continuously evolving collages that lead the listener down a dust covered road of bit-crushed melodies and molested jazz samples. Songs coated in emotion and rich in cinematic quality who’s auras’ retain the heavy burden of urban streets. The 30 years-old multi-instrumentalist/DJ/producer describes his music as “rooted in hip-hop but on a spaceship headed for a new and better place… somewhere out there”. After studying music engineering and composition at The Evergreen State College in Washington, Take returned to Los Angeles to dive in and focus solely on music. In the last several years, he has composed and produced multiple 12” EPs and remixes for labels such as ButterMilk, Poobah Records, Astro Lab, Eat Concrete Records and more. He also recently completed scoring original music for New Line Cinema’s King of Kong and Clint Eastwood: A Life in Film. Also, Take joined with the Dublab family for which he regularly delivers mixes and DJ sets. Take has long been at the center of an ever growing scene of talented musicians/producer/DJs in the Los Angeles area. As a co-founder of the legendary beat showcase night Sketchbook, he has fine crafted his DJ sets for the last 10 years and also adapted his own compositions for an interesting live performance. Using a laptop, synths, samplers, guitar pedals and any gadget available to re-create his music, Take’s live sets strive to be more than just a guy staring at a laptop. He is also currently working with producer/keyboardist Black Monk to bring even more interaction into the live setting, aiming to eventually have an interchangeable group of musicians and producers performing these songs. Take has been fortunate enough to share the stage, whether DJing or performing live, with such artists as Prefuse 73, Mos Def, Daedelus, Caural, Nobody, Ammoncontact, Scienz of Life, Flying Lotus, Ta’raach, edIT and more.

fr

Vintage drum’n’bass, liquid beats et dubstep surgiront le 19/03. De Kreun a mis en place, avec le crew Warriorz, une nuit à ne manquer sous aucun prétexte… avec RUSTIE comme incontestable tête d’affiche. Ses beats hors du temps nous arrivent toujours par le biais du pertinent label WARP. Par contre, un label que vous devriez tenir à l’oeil, c’est Alpha Pup. Dont on accueille deux artistes : TAKE, que l’on peut comparer à Flying Lotus, et FREE THE ROBOTS, qui drape ses beats de jazz. Stuff we like! Quant à X&trick et Mikis & Goony, ils nous viennent tout droit de la troupe Warriorz… For now - The line up MIKIS & GOONY (Warriorz, BE) TAKE (Alpha Pup, VS) FREE THE ROBOTS (Alpha Pup, VS) RUSTIE (Warp, UK) X&TRICK aka KNEX (Bug Klinik, Rebelscum, BE) bio's via Last.fm Rustie Rustie is older than he looks. Rustie makes beats and is a muthafukin bowss. Rustie wrote that himself. Now signed to the infamous Warp Records, check out his reputation building releases on Stuff Records, Hyperdub, Wireblock and various other labels. With the EP entitled Bad Science on Wireblock Records he consolidated his name at the top of the new wave of electronic hip hop producers. With his forthcoming LP for Warp Records and a 12” for us in early 2010 - you are gonna OMFG on his new shit. Free the robots From Elsewhere comes Free the Robots, A balance of everything that is music. The Robot sound pays homage to the past with a drive for the future blending elements of Jazz, Hip Hop, Electronica, Bossanova, Experimental, Soul, Psychedelic, Rock, etc… In a musical world where anything that has a guitar can be called “rock,” it’s difficult to find music that is really creative. It’s even harder to find a band that is willing to take risks, and expand their art. But those things can be found in Free the Robots.” Take Based in Los Angeles, Take (Sweatson Klank) is a composer who continues to push the boundaries of instrumental hip-hop music into new directions. After multiple successful EP’s under his belt, Take finally unleashed his debut full length player in 2007, Earthtones and Concrete. This music is nothing short of an epic journey with continuously evolving collages that lead the listener down a dust covered road of bit-crushed melodies and molested jazz samples. Songs coated in emotion and rich in cinematic quality who’s auras’ retain the heavy burden of urban streets. The 30 years-old multi-instrumentalist/DJ/producer describes his music as “rooted in hip-hop but on a spaceship headed for a new and better place… somewhere out there”. After studying music engineering and composition at The Evergreen State College in Washington, Take returned to Los Angeles to dive in and focus solely on music. In the last several years, he has composed and produced multiple 12” EPs and remixes for labels such as ButterMilk, Poobah Records, Astro Lab, Eat Concrete Records and more. He also recently completed scoring original music for New Line Cinema’s King of Kong and Clint Eastwood: A Life in Film. Also, Take joined with the Dublab family for which he regularly delivers mixes and DJ sets. Take has long been at the center of an ever growing scene of talented musicians/producer/DJs in the Los Angeles area. As a co-founder of the legendary beat showcase night Sketchbook, he has fine crafted his DJ sets for the last 10 years and also adapted his own compositions for an interesting live performance. Using a laptop, synths, samplers, guitar pedals and any gadget available to re-create his music, Take’s live sets strive to be more than just a guy staring at a laptop. He is also currently working with producer/keyboardist Black Monk to bring even more interaction into the live setting, aiming to eventually have an interchangeable group of musicians and producers performing these songs. Take has been fortunate enough to share the stage, whether DJing or performing live, with such artists as Prefuse 73, Mos Def, Daedelus, Caural, Nobody, Ammoncontact, Scienz of Life, Flying Lotus, Ta’raach, edIT and more.